Introduction; Christopher B. Balme and Berenika Szymanski-Düll -- Part I: Shifting Borders -- 1. A Cold War Battleground ; Charlotte M. Canning.-  2. Spirituals, Serfs, and Soviets; Christopher Silsby -- 3. The Politics of an International Reputation;  David Barnett -- 4. ‘A tour to the West could bring a lot of trouble...’; Berenika Szymanski-Düll -- 5. Song and Dance Ensembles in Central European Militaries; Václav Šmidrkal -- 6. Theatre, Propaganda and the Cold War; Zoltán Imre --  Part II: Institutions and Institutional Imbrications -- 7. MI5 Surveillance of British Cold War Theatre; James Smith -- 8. Creating an International Community during the Cold War; Hanna Korsberg -- 9. The Cultural Cold War on the Home Front; Kyrill Kunakhovich -- Part III: Acting, Artists and Art Between the Battlefronts -- 10. Years of Compromise and Political Servility;  Karolina Prykowska Michalak -- 11. ‘A Memorable French-Romanian Evening’; Ioana Szeman -- 12. An Eastern Bloc Cultural Figure?; Nikolaos Papadogiannis -- 13. Acting on the Cold War; Anja Klöck -- 14. Checkpoint Music Drama; Sebastian Stauss -- Part IV: Postcolonial Perspectives -- 15. Whose Side Are You On?; Christine Matzke -- 16. ‘How close is Angola to us?’; Rikard Hoogland -- 17. Manila and the World Dance Space; meLê Yamomo and Basilio E. Villaruz -- Bilbiography -- Index.

This book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries.

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