Introduction, by J. H. Ferres.--Witchcraft and the Puritans, by G. L. Kittredge.--The meaning of McCarthyism, by E. Latham.--Miller's The crucible as event and play, by J. Gassner.--Hysteria and ideology in The crucible, by R. Hayes.--A problem playwright, by W. Kerr.--A "social play", by L. Moss.--Dramatic technique in The crucible, by E. Murray.--The Devil in Salem, by D. Welland.--No play is deeper than its witches, by H. Blau.--Setting, language, and the force of evil in The crucible, by P. Curtis.--Historical analogy and The crucible, by H. Popkin.--The crucible: a structural view, by P. G. Hill.--Jean-Paul Sartre's Les sorcières de Salem, by E. Mottram.--Action and theme in The crucible, by R. Hogan.--Arthur Miller and the idea of modern tragedy, by M. W. Steinberg.--Which witch is which? By J. W. Douglass.--Subjectivism and self-awareness, by S. Huftel.--The silence of Arthur Miller, by A. Ganz.--A private meeting of John and Abigail, by A. Miller.--Selected bibliography (p. 121-122)

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