The Politics of Place [electronic resource] : Space and Locality in the European Screen Industries / edited by Andrew Spicer, Ruth Barton, Amy Genders.

Інтелектуальна відповідальність: Вид матеріалу: Текст Серія: Palgrave Studies in European Communication Research and EducationПублікація: Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2026Видання: 1st ed. 2026Опис: XVI, 364 p. 42 illus., 39 illus. in color. online resourceТип вмісту:
  • text
Тип засобу:
  • computer
Тип носія:
  • online resource
ISBN:
  • 9783032067807
Тематика(и): Додаткові фізичні формати: Printed edition:: Немає назви; Printed edition:: Немає назви; Printed edition:: Немає назвиДесяткова класифікація Дьюї:
  • 338.47791 23
Класифікація Бібліотеки Конгресу:
  • HD9980-9990
Електронне місцезнаходження та доступ:
Вміст:
1. Introduction: Space and Place in the European Screen Industries. Andrew Spicer, Ruth Barton and Amy Genders -- Section 1 – Approaches to Studying Locality -- 2. Location, Location, Location! From Local Colour to Location Placement and Sustainability: the Importance of Location in Television Drama Productions. Anne Marit and Risum Waade -- Section 2 – Region and Nation -- 3. The BBC and the UK’s Nations and Regions: Hierarchies, Rivalries and Contradictions. Amy Genders and Andrew Spicer -- 4. Navigating Affective Locations: Locations, Emotional Cconomies and Layers of Legitimisation in the Production of the Danish Feature Film Kalak in Greenland. Anders Grønland -- 5. Rewriting Place: Romanian Cinema and the Political dimensions of Cultural Identity. Alex Trãilã -- Section 3 – Minority Cultures -- Chapter 6 TG4, Irish Language Broadcasting and the Impact of Location. Ruth Barton -- 7. How to Represent a Nation Without Borders: Indigenous Public Service Broadcaster NRK Sápmi’s role as a Nation-builder in a Decolonial Context. Stine Agnete Sand -- 8. The New Framework for Audiovisual Production in Spain: Minority or Minoritised Languages? Enrique Castelló-Mayo, Roi Méndez-Fernández and Antía María López-Gómez -- Section 4: Location and Cultural Identity -- 9. Beyond ‘Destination Italy’: Revitalising Italian Television’s Spatial Capital. Valentina Re -- 10. The Political Economy of Italian Locations. Marco Cucco -- Section 5: Centres and Peripheries -- 11. Platform Power and Production Design: the Impact of Mobile SVOD Production on Creative Practices in East Central Europe. Petr Szczepanik -- 12. Feel-Bad Euro Noir: Imagining Europe from its Eastern Edge in the Polish HBO TV series The Border (Wataha). Anna Mrozewicz -- 13. Looking at Norway: Netflix Originals and Regional Identity. Audun Engelstad -- 14. Conclusion. Ruth Barton, Amy Genders and Andrew Spicer.
У: Springer Nature eBookЗведення: “This wide-ranging collection centers on analysis and reflection about the cultural and political significance of place-making. It demonstrates the importance of analysing sites of production and how the growing use of place-making in drama production risks disrupting the authentic identity of a place by turning it into a commodity. This excellent work is a book that we greatly needed.” – Milly Buonanno, author of The Age of Television: Experiences and Theories “The Politics of Place thoroughly demonstrates the ongoing and growing importance of locality for the production and distribution of film and television in Europe. The book’s editors have assembled a range of geographically and methodologically diverse chapters that collectively combine theoretical meditations with detailed national and regional case studies." – Christopher Meir, Universidad Carlos III de Madrid This open access book focuses, for the first time, on the ways in which film and television industries have shaped and been shaped by the places in which they are situated across Europe, from Greenland to Romania. Its thirteen chapters analyse contrasting examples but all focus on issues of identity, creative labour, representation, regulation, and the politics of location and production. They show the impact of globalisation and digitisation – via streaming platforms such as Netflix – but also through national public service broadcasters such as the BBC. The editors’ Introduction and Conclusion reflect on the major theoretical issues of place and space in a European context and their continued centrality to the film and television industries. Andrew Spicer is Professor of Cultural Production at the University of the West of England Bristol. Ruth Barton is Professor in Film Studies at Trinity College Dublin. Amy Genders is Senior Lecturer in Screen Business and Creative Enterprise at the University of the West of England Bristol.
Тип одиниці:
Мітки з цієї бібліотеки: Немає міток з цієї бібліотеки для цієї назви. Ввійдіть, щоб додавати мітки.
Оцінки зірочками
    Середня оцінка: 0.0 (0 голос.)
Немає реальних примірників для цього запису

1. Introduction: Space and Place in the European Screen Industries. Andrew Spicer, Ruth Barton and Amy Genders -- Section 1 – Approaches to Studying Locality -- 2. Location, Location, Location! From Local Colour to Location Placement and Sustainability: the Importance of Location in Television Drama Productions. Anne Marit and Risum Waade -- Section 2 – Region and Nation -- 3. The BBC and the UK’s Nations and Regions: Hierarchies, Rivalries and Contradictions. Amy Genders and Andrew Spicer -- 4. Navigating Affective Locations: Locations, Emotional Cconomies and Layers of Legitimisation in the Production of the Danish Feature Film Kalak in Greenland. Anders Grønland -- 5. Rewriting Place: Romanian Cinema and the Political dimensions of Cultural Identity. Alex Trãilã -- Section 3 – Minority Cultures -- Chapter 6 TG4, Irish Language Broadcasting and the Impact of Location. Ruth Barton -- 7. How to Represent a Nation Without Borders: Indigenous Public Service Broadcaster NRK Sápmi’s role as a Nation-builder in a Decolonial Context. Stine Agnete Sand -- 8. The New Framework for Audiovisual Production in Spain: Minority or Minoritised Languages? Enrique Castelló-Mayo, Roi Méndez-Fernández and Antía María López-Gómez -- Section 4: Location and Cultural Identity -- 9. Beyond ‘Destination Italy’: Revitalising Italian Television’s Spatial Capital. Valentina Re -- 10. The Political Economy of Italian Locations. Marco Cucco -- Section 5: Centres and Peripheries -- 11. Platform Power and Production Design: the Impact of Mobile SVOD Production on Creative Practices in East Central Europe. Petr Szczepanik -- 12. Feel-Bad Euro Noir: Imagining Europe from its Eastern Edge in the Polish HBO TV series The Border (Wataha). Anna Mrozewicz -- 13. Looking at Norway: Netflix Originals and Regional Identity. Audun Engelstad -- 14. Conclusion. Ruth Barton, Amy Genders and Andrew Spicer.

Open Access

“This wide-ranging collection centers on analysis and reflection about the cultural and political significance of place-making. It demonstrates the importance of analysing sites of production and how the growing use of place-making in drama production risks disrupting the authentic identity of a place by turning it into a commodity. This excellent work is a book that we greatly needed.” – Milly Buonanno, author of The Age of Television: Experiences and Theories “The Politics of Place thoroughly demonstrates the ongoing and growing importance of locality for the production and distribution of film and television in Europe. The book’s editors have assembled a range of geographically and methodologically diverse chapters that collectively combine theoretical meditations with detailed national and regional case studies." – Christopher Meir, Universidad Carlos III de Madrid This open access book focuses, for the first time, on the ways in which film and television industries have shaped and been shaped by the places in which they are situated across Europe, from Greenland to Romania. Its thirteen chapters analyse contrasting examples but all focus on issues of identity, creative labour, representation, regulation, and the politics of location and production. They show the impact of globalisation and digitisation – via streaming platforms such as Netflix – but also through national public service broadcasters such as the BBC. The editors’ Introduction and Conclusion reflect on the major theoretical issues of place and space in a European context and their continued centrality to the film and television industries. Andrew Spicer is Professor of Cultural Production at the University of the West of England Bristol. Ruth Barton is Professor in Film Studies at Trinity College Dublin. Amy Genders is Senior Lecturer in Screen Business and Creative Enterprise at the University of the West of England Bristol.

Accessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.

No reading system accessibility options actively disabled

Publisher contact for further accessibility information: accessibilitysupport@springernature.com

Немає коментарів для цієї одиниці.

для можливості публікувати коментарі.