Contemporary Irish Theatre (Запис № 577135)

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control field 978-3-031-55012-6
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783031550126
-- 978-3-031-55012-6
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-031-55012-6
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050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN2181-2193
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Subject category code AN
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Subject category code PER011000
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Subject category code ATD
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082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 792.9
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name McIvor, Charlotte.
Relator term author.
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9 (RLIN) 15229
245 10 - TITLE STATEMENT
Title Contemporary Irish Theatre
Medium [electronic resource] :
Remainder of title Histories and Theories /
Statement of responsibility, etc by Charlotte McIvor, Ian R. Walsh.
250 ## - EDITION STATEMENT
Edition statement 1st ed. 2024.
264 #1 -
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-- Springer International Publishing :
-- Imprint: Palgrave Macmillan,
-- 2024.
300 ## - PHYSICAL DESCRIPTION
Extent XVIII, 352 p. 16 illus., 14 illus. in color.
Other physical details online resource.
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505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 1.Introduction -- 2. Economic Expansion and Moral Conservatism (1957-1966) -- 3. Rapid Change, Revision and the ‘Troubles’(1966-1980) -- 4. Crisis, Uncertainty and Scandal (1980-1994) -- 5. The Celtic Tiger, Inward-Migration and the Peace Process (1994-2008) -- 6. Recession, Commemoration and Covid-19 (2008-2023) -- 7. Nation -- 8. Language -- 9. Body -- 10. Space -- 11. Interculturalism -- 12. Conclusion.
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
520 ## - SUMMARY, ETC.
Summary, etc “McIvor and Walsh take a bold stance in mapping whose voices are represented in ‘official’ histories and why. This is an indispensable book for anyone interested not only in modern Irish theatre but also in the methodologies and manners for constructing a nation’s theatre history.” - Maria Delgado, Professor and Vice Principal (Research and Knowledge Exchange), The Royal Central School of Speech and Drama, University of London, UK “This is an original and extremely well-informed history of theatre practice on the island of Ireland from the late 1950s to the present day. McIvor and Walsh seek to decentralise the playwright to highlight the important contributions of artistic directors, scenographers, actors, activists and administrators. This book promises to become a landmark of Irish theatre studies for some time to come.” - Ondřej Pilný, Professor, Charles University, Prague This open access book is a new survey of theatre practices in Ireland from 1957 to the present. Part I: Histories, situates the theatrical activity of twentieth and twenty-first century Ireland within its social and political contexts, identifies key practitioners, landmark productions, institutions, festivals, and seminal revivals. Part II: Theories, offers five key theoretical frameworks - nation, language, body, space and interculturalism - to examine contemporary Irish theatre practices. Contemporary Irish Theatre and Performance ultimately offers a more extensive story of contemporary Irish theatre documenting the diversity of practices and contributors that have populated the contemporary Irish theatre landscape since 1957. Ian R. Walsh is a Lecturer in Drama and Theatre Studies at University of Galway, Ireland. Previous books and edited collections include Experimental Irish Theatre: After W.B Yeats (Palgrave Macmillan, 2012), The Theatre of Enda Walsh (2016), and Cultural Convergence: The Dublin Gate Theatre, 1928-1960 (Palgrave Macmillan, 2021). Charlotte McIvor is a Senior Lecturer in Drama and Theatre Studies at University of Galway, Ireland. Most recent books and edited collections include Migration and Performance in Contemporary Ireland: Towards A New Interculturalism (Palgrave Macmillan, 2016), The Methuen Companion to Interculturalism and Performance (2021), and Interculturalism and Performance Now: New Directions? (Palgrave Macmillan, 2019).
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650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Theater
General subdivision History.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Theater.
9 (RLIN) 11357
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Cultural industries.
9 (RLIN) 15231
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Contemporary Theatre and Performance.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element National and Regional Theatre and Performance.
9 (RLIN) 15233
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Theatre Industry.
9 (RLIN) 15234
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Global and International Theatre and Performance.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Walsh, Ian R.
Relator term author.
Relator code aut
-- http://id.loc.gov/vocabulary/relators/aut
9 (RLIN) 15236
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Corporate name or jurisdiction name as entry element SpringerLink (Online service)
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Title Springer Nature eBook
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Display text Printed edition:
International Standard Book Number 9783031550119
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Printed edition:
International Standard Book Number 9783031550133
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1007/978-3-031-55012-6">https://doi.org/10.1007/978-3-031-55012-6</a>
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