Cultural Funding and Financing [electronic resource] : A Guide to New and Traditional Models in Arts and Culture / edited by Carolina Dalla Chiesa, Anders Rykkja.

Інтелектуальна відповідальність: Вид матеріалу: Текст Серія: Cultural Economics & the Creative EconomyПублікація: Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2026Видання: 1st ed. 2026Опис: XXII, 431 p. 21 illus., 6 illus. in color. online resourceТип вмісту:
  • text
Тип засобу:
  • computer
Тип носія:
  • online resource
ISBN:
  • 9783031966965
Тематика(и): Додаткові фізичні формати: Printed edition:: Немає назви; Printed edition:: Немає назви; Printed edition:: Немає назвиДесяткова класифікація Дьюї:
  • 306.3 23
Класифікація Бібліотеки Конгресу:
  • HB1-846.8
  • HM621-656
Електронне місцезнаходження та доступ:
Вміст:
Chapter 1: Introduction -- Chapter 2: Direct government contribution to culture: legitimacy, financial mechanisms and level of spending compared internationally -- Chapter 3: Funding the Arts and Culture Through Tax Incentives -- Chapter 4: Philanthropic fundraising and sponsorship: the arts marketing perspective on financing cultural projects based in the North American Context -- Chapter 5: Patronage in the arts: theories and contemporary challenges -- Chapter 6: Copyright’s Contribution to Rewarding Creators and the Digitalization Paradox -- Chapter 7: Trends in Crowdfunding for Arts and Culture -- Chapter 8: Matched-Money in the Arts and Culture: Conceptualising Online and Offline Matchfunding Models -- Chapter 9: “I would do anything for funds, but I won’t do that”: On artists' reluctance to adopt investment crowdfunding and possible ways to overcome it -- Chapter 10: The rise of online crowd-patronage: models, challenges and providing security to the creative worker -- Chapter 11: Beyond Likes: Social Media Remuneration and Financing of Digital Cultural Production -- Chapter 12: Making Money from Music Streaming: Benefits and Barriers -- Chapter 13: Digital funding and financing in museums and cultural heritage -- Chapter 14: Public-Private Partnerships: when different governance tools stimulate alternative funding of the heritage sector and beyond -- Chapter 15: (Co-)Creating from ‘nothing’, (co-)producing digitally: The art of funding cultural projects through bottom-up collaboration and co-creation -- Chapter 16: Tainted Philanthropy in Arts Funding: The Case Study of National Portrait Gallery in London and The Sackler Trust -- Chapter 17: Securing funding for independent creative firms: Insights from video game monetization -- Chapter 18: Impact Investment for Cultural Projects: A Short Exploration -- Chapter 19: Conclusion.
У: Springer Nature eBookЗведення: This timely and impressive book gives contemporary academic and multidisciplinary insights into the complex topic of funding and financing of art and culture, with contributions from 21 leading scholars in the field. Trine Bille, Professor of Cultural Economics, Copenhagen Business School, Denmark This timely collection of essays by a number of distinguished contributors will fill a significant gap in the cultural economics literature. Professor David Throsby, Distinguished Professor of Economics, Macquarie Business School, Macquarie University, Australia Cultural Funding and Financing is a timely and ambitious volume that offers one of the most comprehensive examinations to date of how artists and cultural organizations access resources in a rapidly evolving landscape. Joanna Woronkowicz, Associate Professor, O'Neill School of Public and Environmental Affairs, Indiana University, US This edited open access volume offers a comprehensive analysis of new and traditional funding models for the arts and culture. In the economic and political contexts of reduced art funding, the book takes an objective, pragmatic and heterodox approach to demonstrate how financial sustainability in the arts can be achieved via a range of top-down and bottom-up mechanisms which are valued either in terms of institutional or crowd-based legitimacy. The book aims to offer both a scholarly interpretation of funding and financing practices, as well as guidance for artists, creators, and cultural programmers. Carolina Dalla Chiesa is an Assistant Professor of Cultural Economics at the Department of Arts and Culture, Erasmus University, The Netherlands. Anders Rykkja is a Lecturer in Arts and Cultural Industries Management at Queen’s University Belfast, Northern Ireland.
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Chapter 1: Introduction -- Chapter 2: Direct government contribution to culture: legitimacy, financial mechanisms and level of spending compared internationally -- Chapter 3: Funding the Arts and Culture Through Tax Incentives -- Chapter 4: Philanthropic fundraising and sponsorship: the arts marketing perspective on financing cultural projects based in the North American Context -- Chapter 5: Patronage in the arts: theories and contemporary challenges -- Chapter 6: Copyright’s Contribution to Rewarding Creators and the Digitalization Paradox -- Chapter 7: Trends in Crowdfunding for Arts and Culture -- Chapter 8: Matched-Money in the Arts and Culture: Conceptualising Online and Offline Matchfunding Models -- Chapter 9: “I would do anything for funds, but I won’t do that”: On artists' reluctance to adopt investment crowdfunding and possible ways to overcome it -- Chapter 10: The rise of online crowd-patronage: models, challenges and providing security to the creative worker -- Chapter 11: Beyond Likes: Social Media Remuneration and Financing of Digital Cultural Production -- Chapter 12: Making Money from Music Streaming: Benefits and Barriers -- Chapter 13: Digital funding and financing in museums and cultural heritage -- Chapter 14: Public-Private Partnerships: when different governance tools stimulate alternative funding of the heritage sector and beyond -- Chapter 15: (Co-)Creating from ‘nothing’, (co-)producing digitally: The art of funding cultural projects through bottom-up collaboration and co-creation -- Chapter 16: Tainted Philanthropy in Arts Funding: The Case Study of National Portrait Gallery in London and The Sackler Trust -- Chapter 17: Securing funding for independent creative firms: Insights from video game monetization -- Chapter 18: Impact Investment for Cultural Projects: A Short Exploration -- Chapter 19: Conclusion.

Open Access

This timely and impressive book gives contemporary academic and multidisciplinary insights into the complex topic of funding and financing of art and culture, with contributions from 21 leading scholars in the field. Trine Bille, Professor of Cultural Economics, Copenhagen Business School, Denmark This timely collection of essays by a number of distinguished contributors will fill a significant gap in the cultural economics literature. Professor David Throsby, Distinguished Professor of Economics, Macquarie Business School, Macquarie University, Australia Cultural Funding and Financing is a timely and ambitious volume that offers one of the most comprehensive examinations to date of how artists and cultural organizations access resources in a rapidly evolving landscape. Joanna Woronkowicz, Associate Professor, O'Neill School of Public and Environmental Affairs, Indiana University, US This edited open access volume offers a comprehensive analysis of new and traditional funding models for the arts and culture. In the economic and political contexts of reduced art funding, the book takes an objective, pragmatic and heterodox approach to demonstrate how financial sustainability in the arts can be achieved via a range of top-down and bottom-up mechanisms which are valued either in terms of institutional or crowd-based legitimacy. The book aims to offer both a scholarly interpretation of funding and financing practices, as well as guidance for artists, creators, and cultural programmers. Carolina Dalla Chiesa is an Assistant Professor of Cultural Economics at the Department of Arts and Culture, Erasmus University, The Netherlands. Anders Rykkja is a Lecturer in Arts and Cultural Industries Management at Queen’s University Belfast, Northern Ireland.

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