Chromatic Visions [electronic resource] : Exploring Colour in Art, Archaeology and Digital Realities, Part II / edited by Irina Mihaela Ciortan, Daniele Ferdani, Jon Yngve Hardeberg, Sophia Sotiropoulou, Manuele Veggi.

Інтелектуальна відповідальність: Вид матеріалу: Текст Серія: Lecture Notes in Computer Science ; 16450Публікація: Cham : Springer Nature Switzerland : Imprint: Springer, 2026Видання: 1st ed. 2026Опис: XI, 147 p. 90 illus., 88 illus. in color. online resourceТип вмісту:
  • text
Тип засобу:
  • computer
Тип носія:
  • online resource
ISBN:
  • 9783032177001
Тематика(и): Додаткові фізичні формати: Printed edition:: Немає назви; Printed edition:: Немає назвиДесяткова класифікація Дьюї:
  • 006.37 23
Класифікація Бібліотеки Конгресу:
  • TA1634
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Вміст:
Methods and Workflows for Colour Change Modelling and Reconstruction -- Tools and Services for Colour Change Analysis and Sharing of Knowledge -- Design Resources to Enhance Access to Coloured Collections through Interactive Experiences.
У: Springer Nature eBookЗведення: This open access book builds upon the conceptual foundations established in the first part, presenting practical methods, tools, and workflows for studying and communicating colour in cultural heritage. Developed within the Horizon Europe project PERCEIVE, this second volume examines how scientific analysis, digital reconstruction, and interactive design can be integrated into reproducible workflows. It documents the operational frameworks, technological infrastructures, and design resources developed to study, model, visualise, and communicate colour change across diverse heritage collections. Structured around three complementary chapters (scientific modelling of colour change, digital tools and services for knowledge sharing, and design resources for interactive experiences) the book presents advanced workflows, AI-assisted methods, FAIR data infrastructures, and participatory exhibition prototypes. Case studies range from ancient polychromy and paintings to textiles, photography, and born-digital art, demonstrating approaches to make colour research accessible and transparent for both specialists and broader audiences. Grounded in principles of care, authenticity, and participation, Chromatic Visions II addresses digital heritage as both a technical and relational practice. The book provides researchers, conservators, curators, designers, and museum professionals with methods and frameworks for interdisciplinary approaches to the digital study and communication of coloured collections.
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Methods and Workflows for Colour Change Modelling and Reconstruction -- Tools and Services for Colour Change Analysis and Sharing of Knowledge -- Design Resources to Enhance Access to Coloured Collections through Interactive Experiences.

Open Access

This open access book builds upon the conceptual foundations established in the first part, presenting practical methods, tools, and workflows for studying and communicating colour in cultural heritage. Developed within the Horizon Europe project PERCEIVE, this second volume examines how scientific analysis, digital reconstruction, and interactive design can be integrated into reproducible workflows. It documents the operational frameworks, technological infrastructures, and design resources developed to study, model, visualise, and communicate colour change across diverse heritage collections. Structured around three complementary chapters (scientific modelling of colour change, digital tools and services for knowledge sharing, and design resources for interactive experiences) the book presents advanced workflows, AI-assisted methods, FAIR data infrastructures, and participatory exhibition prototypes. Case studies range from ancient polychromy and paintings to textiles, photography, and born-digital art, demonstrating approaches to make colour research accessible and transparent for both specialists and broader audiences. Grounded in principles of care, authenticity, and participation, Chromatic Visions II addresses digital heritage as both a technical and relational practice. The book provides researchers, conservators, curators, designers, and museum professionals with methods and frameworks for interdisciplinary approaches to the digital study and communication of coloured collections.

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