TY - BOOK AU - Frank,Svenja ED - SpringerLink (Online service) TI - 9/11 in European Literature: Negotiating Identities Against the Attacks and What Followed SN - 9783319642093 AV - PN1-6790 U1 - 809.4 23 PY - 2017/// CY - Cham PB - Springer International Publishing, Imprint: Palgrave Macmillan KW - European literature KW - Literature, Modern—20th century KW - Literature, Modern—21st century KW - Comparative literature KW - European Literature KW - Contemporary Literature KW - Twentieth-Century Literature KW - Comparative Literature N1 - 9/11 in European Literature. Negotiating Identities Against the Attacks and What Followed -- 9/11: The Interpretation of Disaster as Disaster of Interpretation – an American Catastrophe Reflected in American and European Discourses -- The Wind of the Hudson: Gerhard Richter’s September (2005) and the European Perception of Catastrophe -- Burning from the inside out’: Let the Great World Spin (2009) -- Seeing is Disbelieving: The Contested Visibility of 9/11 in France -- Cultural and Historical Memory in English and German Discursive Responses to 9/11 --  The Post-9/11 World in Three Polish Responses: Zagajewski, Skolimowski, Tochman -- The Islamic World as Other in Oriana Fallaci’s ‘Trilogy’ -- National Identity and Literary Culture after 9/11:Pro- and Anti-Americanism in Frédéric Beigbeder’s Windows on the World(2003) and Thomas Hettche’s Woraus wir gemacht sind (2006) -- The Mimicry of Dialogue: Thomas Lehr’s September. Fata Morgana (2010) -- Europe and Its Discontents: Intra-European Violence in Dutch Literature after 9/11 -- Tourist/Terrorist. Narrating Uncertainty in Early European Literature on Guantánamo -- Appendix; Available to subscribing member institutions only. Доступно лише організаціям членам підписки N2 - This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others—the US nation and a cultural-ethnic idea of Muslim communities—it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.   UR - https://doi.org/10.1007/978-3-319-64209-3 ER -