TY  - BOOK
AU  - Bender,Stuart Marshall
ED  - SpringerLink (Online service)
TI  - Legacies of the Degraded Image in Violent Digital Media
SN  - 9783319644592
AV  - PN1995 
U1  - 791.436 23
PY  - 2017///
CY  - Cham
PB  - Springer International Publishing, Imprint: Palgrave Macmillan
KW  - Film genres
KW  - Communication
KW  - Motion pictures
KW  - Culture—Study and teaching
KW  - Genre
KW  - Media and Communication
KW  - Film Theory
KW  - Close Reading
KW  - Cultural Theory
N1  - Chapter 1: Introduction -- Chapter 2: They Shoot Pixels Don’t They? Killing Pixels From Patriot Games to Collateral Murder and Call of Duty -- Chapter 3: Performing Murder on Live Television and Social Media -- Chapter 4: Rethinking the Aesthetics of Terror Videos -- Chapter 5: The Aesthetics of Sousveillance: Redacted (2007) -- Chapter 6: Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma -- Chapter 7: Conclusion; Available to subscribing member institutions only. Доступно лише організаціям членам підписки
N2  - This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic. Stuart Marshall Bender is an Early Career Research Fellow at Curtin University, Australia, exploring the digital aesthetics of violence. A scholar and filmmaker, he has published work in The Journal of Popular Film & Television, M/C Journal, First Monday and had films screened in competition at a range of international festivals
UR  - https://doi.org/10.1007/978-3-319-64459-2
ER  -