New Music and Institutional Critique [electronic resource] / edited by Christian Grüny, Brandon Farnsworth.

Інтелектуальна відповідальність: Вид матеріалу: Текст Серія: Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen DenkensПублікація: Berlin, Heidelberg : Springer Berlin Heidelberg : Imprint: J.B. Metzler, 2024Видання: 1st ed. 2024Опис: XIV, 205 p. 3 illus., 2 illus. in color. online resourceТип вмісту:
  • text
Тип засобу:
  • computer
Тип носія:
  • online resource
ISBN:
  • 9783662671313
Тематика(и): Додаткові фізичні формати: Printed edition:: Немає назви; Printed edition:: Немає назвиДесяткова класифікація Дьюї:
  • 780.9 23
Класифікація Бібліотеки Конгресу:
  • ML197.2
Електронне місцезнаходження та доступ:
Вміст:
1. Introduction -- I Scholars -- 2. Institutions Against Art Music—Curation, Rehearsal, and Contemporary Art -- 3. Gender Issues as Criticism within (New) Music Institutions -- 4. Darmstadt and its Discontents -- 5. Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 6. Black Music’s Institutional Critique -- II Artists -- 7. My Via Dolorosa from (Impotent) Institutional Critique to the Founding of my own Institution, the Norwegian Opra, with the Gradual Construction of the followers of ø Opra-Dorf on a Meadow in the Swedish Forest, thereby (Maybe) Saving the Autonomy of Art -- 8. Sheltering Each Other from the Storms to Come. Why we need to become allies rather than critics of liberal cultural institutions -- 9. Gender Relations in New Music is Institutional Critique -- 10. Ark -- 11. On the Kunsthalle for Music and (Music-)Institutional Critique -- III Interviews -- 12. “We started expanding the ‘us,’ rather than including someone else” – Peter Meanwell and Tine Rude interviewed by Brandon Farnsworth -- 13. “Don’t expect the wrong things from institutions.” – Berno Odo Polzer interviewed by Christian Grüny -- 14. “Pockets of Obscure Skills” – Samson Young interviewed by Brandon Farnsworth -- 15. “Positioning myself between stools” – Hannes Seidl interviewed by Christian Grüny -- 16. “Framing Europe” – meLê yamomo interviewed by Theresa Beyer.
У: Springer Nature eBookЗведення: While institutional critique remains a significant part of artistic practice and theoretical debate in the arts, its has long escaped scholarly attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For researchers, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today.
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1. Introduction -- I Scholars -- 2. Institutions Against Art Music—Curation, Rehearsal, and Contemporary Art -- 3. Gender Issues as Criticism within (New) Music Institutions -- 4. Darmstadt and its Discontents -- 5. Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 6. Black Music’s Institutional Critique -- II Artists -- 7. My Via Dolorosa from (Impotent) Institutional Critique to the Founding of my own Institution, the Norwegian Opra, with the Gradual Construction of the followers of ø Opra-Dorf on a Meadow in the Swedish Forest, thereby (Maybe) Saving the Autonomy of Art -- 8. Sheltering Each Other from the Storms to Come. Why we need to become allies rather than critics of liberal cultural institutions -- 9. Gender Relations in New Music is Institutional Critique -- 10. Ark -- 11. On the Kunsthalle for Music and (Music-)Institutional Critique -- III Interviews -- 12. “We started expanding the ‘us,’ rather than including someone else” – Peter Meanwell and Tine Rude interviewed by Brandon Farnsworth -- 13. “Don’t expect the wrong things from institutions.” – Berno Odo Polzer interviewed by Christian Grüny -- 14. “Pockets of Obscure Skills” – Samson Young interviewed by Brandon Farnsworth -- 15. “Positioning myself between stools” – Hannes Seidl interviewed by Christian Grüny -- 16. “Framing Europe” – meLê yamomo interviewed by Theresa Beyer.

Open Access

While institutional critique remains a significant part of artistic practice and theoretical debate in the arts, its has long escaped scholarly attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For researchers, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today.

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