Regimes of Invisibility in Contemporary Art, Theory and Culture [electronic resource] : Image, Racialization, History / edited by Marina Gržinić, Aneta Stojnić, Miško Šuvaković.

Інтелектуальна відповідальність: Вид матеріалу: Текст Публікація: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017Видання: 1st ed. 2017Опис: VII, 173 p. 3 illus. online resourceТип вмісту:
  • text
Тип засобу:
  • computer
Тип носія:
  • online resource
ISBN:
  • 9783319551739
Тематика(и): Додаткові фізичні формати: Printed edition:: Немає назви; Printed edition:: Немає назви; Printed edition:: Немає назвиДесяткова класифікація Дьюї:
  • 306.094 23
Класифікація Бібліотеки Конгресу:
  • GN575-585
Електронне місцезнаходження та доступ:
Вміст:
1. Introduction: Image, Racialization, History -- 2. Racialized bodies, and the digital (financial) mode of production -- 3. Politics and Aesthetics of Databases and Forensics -- 4. The Emancipation of Necrocapitalism: Teleological Function of Liberalism and the Optimization of Hegemony -- 5. Influence of Western Society on Identity Politics of Sexual and Gender Minorities in Colonial and Post-Colonial India -- 6. Radical Contemporaneity: Politics of the Image in Videos by Gržinić & Šmid -- 7. Affective Constructions: Image – Racialization – History -- 8. Spiritual Revolutions: Afropean Body Politics and the 'Secularity' of the Arts -- 9. “Contingent monuments”: Constructions of Publicness in the Fascist Italy Exhibition Complex, 1920s-1940s -- 10. Screened Otherness: A Media Archaeology of Romani Criminalization -- 11. An Image and its Histories: The Uncovering of Rembrandt’s Masterpiece Lost During the Second World War.- .
У: Springer eBooksЗведення: This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.
Тип одиниці: ЕКнига Списки з цим бібзаписом: Springer Ebooks (till 2020 - Open Access)+(2017 Network Access)) | Springer Ebooks (2017 Network Access))
Мітки з цієї бібліотеки: Немає міток з цієї бібліотеки для цієї назви. Ввійдіть, щоб додавати мітки.
Оцінки зірочками
    Середня оцінка: 0.0 (0 голос.)
Немає реальних примірників для цього запису

1. Introduction: Image, Racialization, History -- 2. Racialized bodies, and the digital (financial) mode of production -- 3. Politics and Aesthetics of Databases and Forensics -- 4. The Emancipation of Necrocapitalism: Teleological Function of Liberalism and the Optimization of Hegemony -- 5. Influence of Western Society on Identity Politics of Sexual and Gender Minorities in Colonial and Post-Colonial India -- 6. Radical Contemporaneity: Politics of the Image in Videos by Gržinić & Šmid -- 7. Affective Constructions: Image – Racialization – History -- 8. Spiritual Revolutions: Afropean Body Politics and the 'Secularity' of the Arts -- 9. “Contingent monuments”: Constructions of Publicness in the Fascist Italy Exhibition Complex, 1920s-1940s -- 10. Screened Otherness: A Media Archaeology of Romani Criminalization -- 11. An Image and its Histories: The Uncovering of Rembrandt’s Masterpiece Lost During the Second World War.- .

This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.

Available to subscribing member institutions only. Доступно лише організаціям членам підписки.

Online access from local network of NaUOA.

Online access with authorization at https://link.springer.com/

Онлайн-доступ з локальної мережі НаУОА.

Онлайн доступ з авторизацією на https://link.springer.com/

Немає коментарів для цієї одиниці.

для можливості публікувати коментарі.