| 000 | 01522nam a22002537a 4500 | ||
|---|---|---|---|
| 001 | 2162214035926686 | ||
| 003 | UA-OsUOA | ||
| 005 | 20260319123110.0 | ||
| 008 | 260319b -usa|||| |||| 00| f eng d | ||
| 020 | _a9781573661104 | ||
| 040 |
_aUA-OsUOA _beng _cUA-OsUOA _dUA-OsUOA |
||
| 041 | _aeng | ||
| 080 | _a821.111(73) | ||
| 090 |
_a821.111(73) _bO-50 |
||
| 100 |
_aOlson T. _924536 |
||
| 245 |
_aThe Blond Box _cToby Olson |
||
| 250 | _aFirst Edition | ||
| 260 |
_aTallahassee _bFC2 _c2003 |
||
| 300 | _a287 p. | ||
| 520 | _aEl Malabarista, pianist and juggler for a troupe of sexual performance artists, is found dead in the dusty wilderness, his fingers crushed. Beginning like a murder mystery, The Blond Box then defies all the usual expectations of a murder mystery plot, by juxtaposing "real" events in two different decades with a draft version of a hack sci-fi novella. This mixed narrative serves as a meta-fictional commentary on the efforts of a retired sex-theater artist, a hairstylist/pulp writer, a doctoral student, and a host of other characters to, not only solve the murder, but uncover its motivation, which seems to be linked to El Malabaristas knowledge of the whereabouts of a certain boxed treasure. By turns lyrical and scatological, puerile and cerebral, The Blond Box is at once a daring formal experiment and a good yarn. | ||
| 650 |
_a821 Художня література окремими мовами і мовними сім'ями _917 |
||
| 942 |
_cBK _2udc |
||
| 955 | _a3 | ||
| 999 |
_c282313 _d282313 |
||