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020 _a9783032067807
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024 7 _a10.1007/978-3-032-06780-7
_2doi
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_2bicssc
072 7 _aBUS070060
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072 7 _aKNT
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082 0 4 _a338.47791
_223
245 1 4 _aThe Politics of Place
_h[electronic resource] :
_bSpace and Locality in the European Screen Industries /
_cedited by Andrew Spicer, Ruth Barton, Amy Genders.
250 _a1st ed. 2026.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2026.
300 _aXVI, 364 p. 42 illus., 39 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
341 0 _bPDF/UA-1
_2onix
341 0 _bTable of contents navigation
_2onix
341 0 _bSingle logical reading order
_2onix
341 0 _bShort alternative textual descriptions
_2onix
341 0 _bUse of color is not sole means of conveying information
_2onix
341 0 _bUse of high contrast between text and background color
_2onix
341 0 _bNext / Previous structural navigation
_2onix
341 0 _bAll non-decorative content supports reading without sight
_2onix
347 _atext file
_bPDF
_2rda
490 1 _aPalgrave Studies in European Communication Research and Education,
_x2948-2380
505 0 _a1. Introduction: Space and Place in the European Screen Industries. Andrew Spicer, Ruth Barton and Amy Genders -- Section 1 – Approaches to Studying Locality -- 2. Location, Location, Location! From Local Colour to Location Placement and Sustainability: the Importance of Location in Television Drama Productions. Anne Marit and Risum Waade -- Section 2 – Region and Nation -- 3. The BBC and the UK’s Nations and Regions: Hierarchies, Rivalries and Contradictions. Amy Genders and Andrew Spicer -- 4. Navigating Affective Locations: Locations, Emotional Cconomies and Layers of Legitimisation in the Production of the Danish Feature Film Kalak in Greenland. Anders Grønland -- 5. Rewriting Place: Romanian Cinema and the Political dimensions of Cultural Identity. Alex Trãilã -- Section 3 – Minority Cultures -- Chapter 6 TG4, Irish Language Broadcasting and the Impact of Location. Ruth Barton -- 7. How to Represent a Nation Without Borders: Indigenous Public Service Broadcaster NRK Sápmi’s role as a Nation-builder in a Decolonial Context. Stine Agnete Sand -- 8. The New Framework for Audiovisual Production in Spain: Minority or Minoritised Languages? Enrique Castelló-Mayo, Roi Méndez-Fernández and Antía María López-Gómez -- Section 4: Location and Cultural Identity -- 9. Beyond ‘Destination Italy’: Revitalising Italian Television’s Spatial Capital. Valentina Re -- 10. The Political Economy of Italian Locations. Marco Cucco -- Section 5: Centres and Peripheries -- 11. Platform Power and Production Design: the Impact of Mobile SVOD Production on Creative Practices in East Central Europe. Petr Szczepanik -- 12. Feel-Bad Euro Noir: Imagining Europe from its Eastern Edge in the Polish HBO TV series The Border (Wataha). Anna Mrozewicz -- 13. Looking at Norway: Netflix Originals and Regional Identity. Audun Engelstad -- 14. Conclusion. Ruth Barton, Amy Genders and Andrew Spicer.
506 0 _aOpen Access
520 _a“This wide-ranging collection centers on analysis and reflection about the cultural and political significance of place-making. It demonstrates the importance of analysing sites of production and how the growing use of place-making in drama production risks disrupting the authentic identity of a place by turning it into a commodity. This excellent work is a book that we greatly needed.” – Milly Buonanno, author of The Age of Television: Experiences and Theories “The Politics of Place thoroughly demonstrates the ongoing and growing importance of locality for the production and distribution of film and television in Europe. The book’s editors have assembled a range of geographically and methodologically diverse chapters that collectively combine theoretical meditations with detailed national and regional case studies." – Christopher Meir, Universidad Carlos III de Madrid This open access book focuses, for the first time, on the ways in which film and television industries have shaped and been shaped by the places in which they are situated across Europe, from Greenland to Romania. Its thirteen chapters analyse contrasting examples but all focus on issues of identity, creative labour, representation, regulation, and the politics of location and production. They show the impact of globalisation and digitisation – via streaming platforms such as Netflix – but also through national public service broadcasters such as the BBC. The editors’ Introduction and Conclusion reflect on the major theoretical issues of place and space in a European context and their continued centrality to the film and television industries. Andrew Spicer is Professor of Cultural Production at the University of the West of England Bristol. Ruth Barton is Professor in Film Studies at Trinity College Dublin. Amy Genders is Senior Lecturer in Screen Business and Creative Enterprise at the University of the West of England Bristol.
532 8 _aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 _aNo reading system accessibility options actively disabled
532 8 _aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0 _aService industries.
650 0 _aMotion pictures
_xProduction and direction.
_912535
650 0 _aEthnology.
_983
650 0 _aCulture.
_984
650 1 4 _aEntertainment Industry.
_917145
650 2 4 _aFilm and Television Production.
_912537
650 2 4 _aRegional Cultural Studies.
_991
700 1 _aSpicer, Andrew.
_eeditor.
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_4http://id.loc.gov/vocabulary/relators/edt
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700 1 _aBarton, Ruth.
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700 1 _aGenders, Amy.
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773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
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830 0 _aPalgrave Studies in European Communication Research and Education,
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856 4 0 _uhttps://doi.org/10.1007/978-3-032-06780-7
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